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Thomas Forrest Kelly

Thomas Forrest Kelly

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24 featured booksThomas Forrest Kelly

Thomas Kelly is an historical musicologist whose interests embrace the role of music within Christian liturgy, chant, and medieval performance practice. He has written extensively on the history of medieval as well as modern music. Among his many publications are The Beneventan Chant (Cambridge University Press, 1989), First Nights at the Opera (Yale University Press, 2004), The Practice of Medieval Music: Studies in Chant and Performance (Ashgate, 2010), and Capturing Music: The Story of Notation (W.W. Norton, 2014). Professor Kelly is a member of the American Academy of Arts and Sciences, a Chevalier de l’Ordre des Arts et Lettres of the French Republic, and a Fellow of the Medieval Academy of America.-facutly profile

OL31849A

Overview

Catalog identity and bibliographic footprint for this author.

24 representative editions

Author pages in Bookitis are intended to show only works actually attributed to the author and a representative edition for each of those works.

Catalog identity

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  • Display name

    Thomas Forrest Kelly

  • Personal name

    Thomas Forrest Kelly

  • Source identifier

    OL31849A

Featured books

Representative editions for works actually authored by this person.

Works in catalog

Quick navigation into the work-level grouping pages behind the featured books.

  • The Role of the Scroll

    Representative edition published 2019

    Open Work
  • The Cambridge History of Medieval Music 2 Volume Hardback Set

    Representative edition published 2018

    Open Work
  • Re-tractationes

    Representative edition published 2018

    Open Work
  • Capturing music : the story of notation

    Representative edition published 2015

    Open Work
  • Music then and now

    Representative edition published 2012

    Open Work
  • Early music

    Representative edition published 2011

    Open Work
  • The practice of medieval music

    Representative edition published 2010

    Open Work
  • The Century Of Bach And Mozart Perspectives On Historiography Composition Theory And Performance

    Representative edition published 2009

    Open Work
  • Chant and its origins

    Representative edition published 2009

    Open Work
  • The century of Bach and Mozart

    Representative edition published 2008

    Open Work
  • First Nights at the Opera

    Representative edition published 2006

    Open Work
  • First Nights

    Representative edition published 2001

    Open Work
  • LA Cathedrale

    Representative edition published 2000

    Open Work
  • First nights : five musical premieres

    Representative edition published 2000

    Open Work
  • The exultet in Southern Italy

    Representative edition published 1996

    Open Work
  • Plainsong in the age of polyphony

    Representative edition published 1992

    Open Work
  • The Beneventan chant

    Representative edition published 1989

    Open Work
  • Sources of Beneventan Chant

    Representative edition published 2023

    Open Work
  • Cambridge History of Medieval Music

    Representative edition published 2021

    Open Work
  • Liber Ordinarius of the Abbey of St. Gertrude at Nivelles

    Representative edition published 2020

    Open Work
  • Capturing Music

    Representative edition published 2014

    Open Work
  • Music Then and Now

    Representative edition published 2012

    Open Work
  • The sources of Beneventan chant

    Representative edition published 2011

    Open Work
  • Early Music

    Representative edition published 2011

    Open Work