Thomas Forrest Kelly
Thomas Forrest Kelly
Thomas Kelly is an historical musicologist whose interests embrace the role of music within Christian liturgy, chant, and medieval performance practice. He has written extensively on the history of medieval as well as modern music. Among his many publications are The Beneventan Chant (Cambridge University Press, 1989), First Nights at the Opera (Yale University Press, 2004), The Practice of Medieval Music: Studies in Chant and Performance (Ashgate, 2010), and Capturing Music: The Story of Notation (W.W. Norton, 2014). Professor Kelly is a member of the American Academy of Arts and Sciences, a Chevalier de l’Ordre des Arts et Lettres of the French Republic, and a Fellow of the Medieval Academy of America.-facutly profile
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Featured books
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- Image source: Open LibraryTR
The Role of the Scroll
cover - Image source: Open LibraryTC
The Cambridge History of Medieval Music 2 Volume Hardback Set
cover - Image source: Open LibraryR
Re-tractationes
cover - Image source: Open LibraryCM
Capturing music : the story of notation
cover - Image source: Open LibraryMT
Music then and now
cover - Image source: Open LibraryEM
Early music
cover - Image source: Open LibraryTP
The practice of medieval music
cover - Image source: Open LibraryTC
The Century Of Bach And Mozart Perspectives On Historiography Composition Theory And Performance
cover - Image source: Open LibraryCA
Chant and its origins
cover - Image source: Open LibraryTC
The century of Bach and Mozart
cover - Image source: Open LibraryFN
First Nights at the Opera
cover - Image source: Open LibraryFN
First Nights
cover - Image source: Open LibraryLC
LA Cathedrale
cover - Image source: Open LibraryFN
First nights : five musical premieres
cover - Image source: Open LibraryTE
The exultet in Southern Italy
cover - Image source: Open LibraryPI
Plainsong in the age of polyphony
cover - Image source: Open LibraryTB
The Beneventan chant
cover - SOSources of Beneventan ChantThomas Forrest Kelly
Sources of Beneventan Chant
no cover - CHCambridge History of Medieval M...Thomas Forrest Kelly
Cambridge History of Medieval Music
no cover - LOLiber Ordinarius of the Abbey o...Thomas Forrest Kelly
Liber Ordinarius of the Abbey of St. Gertrude at Nivelles
no cover - CMCapturing MusicThomas Forrest Kelly
Capturing Music
no cover - MTMusic Then and NowThomas Forrest Kelly
Music Then and Now
no cover - TSThe sources of Beneventan chantThomas Forrest Kelly
The sources of Beneventan chant
no cover - EMEarly MusicThomas Forrest Kelly
Early Music
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Works in catalog
Quick navigation into the work-level grouping pages behind the featured books.
- Open Work
The Role of the Scroll
- Open Work
The Cambridge History of Medieval Music 2 Volume Hardback Set
- Open Work
Re-tractationes
- Open Work
Capturing music : the story of notation
- Open Work
Music then and now
- Open Work
Early music
- Open Work
The practice of medieval music
- Open Work
The Century Of Bach And Mozart Perspectives On Historiography Composition Theory And Performance
- Open Work
Chant and its origins
- Open Work
The century of Bach and Mozart
- Open Work
First Nights at the Opera
- Open Work
First Nights
- Open Work
LA Cathedrale
- Open Work
First nights : five musical premieres
- Open Work
The exultet in Southern Italy
- Open Work
Plainsong in the age of polyphony
- Open Work
The Beneventan chant
- Open Work
Sources of Beneventan Chant
- Open Work
Cambridge History of Medieval Music
- Open Work
Liber Ordinarius of the Abbey of St. Gertrude at Nivelles
- Open Work
Capturing Music
- Open Work
Music Then and Now
- Open Work
The sources of Beneventan chant
- Open Work
Early Music