In this French-language art-historical study, Gaëtane Lamarche-Vadel examines Futurism and Russian art through questions of public reception and artistic provocation. The work situates avant-garde gestures within the cultural debates they provoked, tracing how radical visual and literary experiments confronted established expectations and reshaped ideas of artistic progress. With attention to the historical conditions surrounding Russian Futurism and its aftermath, it offers a focused resource for readers interested in early twentieth-century modernism and the continuing influence of avant-garde movements on later art. The study is especially useful for anyone approaching the period through questions of audience and controversy in artistic innovation.

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