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Christopher Riopelle, Michael Bracewell
The authors examine Hamilton's long relationship with the National Gallery and how he shaped his final artistic statement for it: a computer-generated image over-painted by hand depicting Poussin, Courbet and Titian contemplating a reclining female nude and reflecting on art, beauty and desire.
| Publisher | Yale University Press |
|---|---|
| Pages | 64 |
| Search language | english |
| ISBN_13 | 978-1-857-09548-7 primary |
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