"Author warns about 'personal' tone of this book due to his lifelong friendship with the painter. The author's access to Otero's personal archive after the artist's death is reflected in this publication and adds to the value of additional material (letters, photos, and artworks) already in Boulton's possession, dating from Otero's move to Paris in mid-1940s. Good selection of illustrations showing the constant evolution and transformation of Otero's work until the time of his death"--Handbook of Latin American Studies, v. 58.

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