A bilingual art publication devoted to Dominique Gonzalez-Foerster, this Hazan volume offers a focused look at an artist whose work has often expanded the boundaries of installation, film, environment, and spectator experience. The book combines critical interpretation with documentation of Gonzalez-Foerster's multimedia practice, situating her work within contemporary art debates about space, narrative, time, and perception. Presented in French and English, it provides an accessible point of entry for readers interested in how contemporary artists use cinematic, architectural, and immersive strategies to shape encounters between viewers and artworks. The publication is especially relevant to scholars, students, and art readers examining Gonzalez-Foerster's contribution to late twentieth- and early twenty-first-century visual culture.

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