"The immense success of the Italian romance or chivalric epic between the mid-fourteenth century and the sixteenth century constitutes a striking paradox. Through an analysis of aspects of both the cultural context and major literary texts, this book shows that the traditional distinction of popular versus elite culture cannot be maintained. The study reveals a process of syncretism and symbiosis through which the romance epic adapted to the challenges posed by the classical revival, absorbing and rewriting elements of classical texts into the tradition of the matter of France and the matter of Britain to create a new 'matter of Italy' - of texts which appealed to all levels of society."--Jacket.

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