Lewis Baltz did not only revive the American landscape photography, but also revolutionized the photographic pictorial language of the 1970s. Pictures of industrial landscapes, dreary suburban neighborhoods and wastelands depict radically new motifs, which for the first time were publically presented in the renown exhibition 'New Topographics' in 1975. This catalogue was made in close collaboration with Lewis Baltz and approaches his work through various angles. The texts highlight how Baltz's photographies relate to the art of the 1970s, how he applies filmic strategies and why he does not call himself a photographer. In doing so, relevant new and underrepresented aspects of this conceptually driven artists are shown. Exhibition: Kestnergesellschaft, Hannover, Germany (14.9.-4.11.2012).0.

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