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Martine Beugnet
This book looks at a much-debated phenomenon in contemporary cinema: the re-emergence of filmmaking practices (and, by extension, of theoretical approaches) that give precedence to cinema as the medium of sensation.
| Publisher | Edinburgh University Press |
|---|---|
| Pages | 192 |
| Search language | english |
| ISBN_10 | 0-748-62042-7 primary |
| ISBN_13 | 978-0-748-62042-5 primary |
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