L'image et son public au Moyen Age explores the role and reception of images in medieval society, examining how visual representations were understood, used, and interpreted by diverse audiences during the Middle Ages. Drawing on art historical and cultural analysis, the book investigates the social functions of imagery—from religious icons to secular depictions—and considers the ways in which public engagement with visual media shaped meaning and authority. The author synthesizes insights from iconography, anthropology, and historical context to illuminate the complex relationship between image-making and collective perception in the medieval world. This scholarly work offers a nuanced perspective on how visual culture operated within the frameworks of belief, power, and community, making it a valuable resource for students and researchers in art history, medieval studies, and cultural theory.

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