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Derek B. Scott
This text should prove useful as a model for musicologists who want to take a postmodern approach to their inquiries. It demonstrates how different musical styles construct ideas of class, sexuality, and ethnic identity.
| Publisher | Oxford University Press, USA |
|---|---|
| Pages | 272 |
| Format | Paperback |
| Search language | english |
| ISBN_10 | 0-195-15195-X primary |
| ISBN_13 | 978-0-195-15195-4 primary |
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