"From the apparently simple adaptation of a text into film, theatre or a new literary work, to the more complex appropriation of style or meaning, it is arguable that all texts are somehow connected to a network of existing texts and art forms. Combining theoretical grounding with the aesthetic pleasure of reading and writing, this book explores: multiple definitions and practices of adaptation and appropriation; the cultural and aesthetic politics behind the impulse to adapt; diverse ways in which contemporary literature and film adapt, revise and re-imagine other works of art; the impact on adaptation and appropriation of theoretical movements, including structuralism, post-structuralism, postcolonialism, postmodernism, feminism and gender studies; the appropriation across time and cultures of specific canonical texts, but also of literary archetypes such as myth or fairy tale"--P. [i].

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