This scholarly work explores how music functions as a social practice and cultural field. Drawing on musicological and sociological perspectives, it considers the ways musical institutions, audiences, creators, and traditions shape and are shaped by the societies around them. The bibliography-oriented framing suggests a broad survey of sources and themes, making it a useful reference point for readers studying music history, cultural analysis, or the social dimensions of artistic production. Presented in French, the book is aimed at researchers, students, and general readers interested in the connections between musical life and social structures. It situates musical activity within questions of community, identity, education, and cultural transmission, offering a foundation for understanding music as both an art and a social phenomenon.

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