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Monika Suckfüll
The author makes an empirical examination of the effects of motion pictures on their audiences. She derived her framework of analysis from previous research on the effects of film, and film criticism, and uses The Piano by New Zealand film-maker Jane Campion as an example.
| Pages | 202 |
|---|---|
| Search language | simple |
| ISBN_10 | 3-894-04918-9 primary |
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