Luce Vigo’s book offers an intimate portrait of her father, the pioneering French filmmaker Jean Vigo (1905‑1934). Drawing on personal recollections, archival material, and critical analysis, the work situates Vigo’s brief but influential career within the broader currents of early 20th‑century French cinema. Readers gain insight into his avant‑garde techniques, his collaborations with poet‑filmmakers, and the political climate that shaped his artistic vision. The narrative balances scholarly rigor with the affection of a daughter, making it a valuable resource for film historians and anyone interested in the origins of modern cinematic language.

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