Bois, boîtes et talismans is an illustrated essay by Fanette Roche-Pézard that examines the artistic practice of the Macchiaioli painters active in Italy and France between 1860 and 1890. The study focuses on how these artists incorporated everyday objects such as wooden boxes and talismans into their work, exploring the symbolic and material significance of these items within the broader context of 19th‑century European painting. Drawing on archival sources and visual analysis, the author traces the cross‑cultural exchanges between Italian and French artistic circles, highlighting the influence of plein‑air techniques and the pursuit of naturalistic detail. The volume offers insights into the Macchiaioli’s innovative approach to texture, light, and composition, situating their contributions within the transition from academic traditions to modernist sensibilities. With 98 pages of text and images, the publication serves as a valuable resource for scholars of art history, painting techniques, and cultural exchange in the late nineteenth century.