La Vida Intermitente is a documentary‑style novel that unfolds during the filming of a 16mm interview with Boris and Margo, two musicians whose lives blur the boundaries between art, memory, desire and self‑invention. Set in the decaying, chaotic room of the Labyrinth Motel, the conversation becomes an existential striptease in which the interviewer is drawn into their world of rockabilly ghosts, vintage obsessions, grunge poems, cult fiction, fetish objects, film noir, and the emotional debris of a life lived intensely and without masks. Boris, a romantic non‑conformist who dresses in permanent mourning black, and Margo, a punk‑spirited icon fascinated by everything pre‑1970, are misfits whose love story beats to the rhythm of road trips, fatal poems, and the aesthetics of the 1950s and the French bohemia of the early 20th century. Their flashbacks slide in and out of the narrative like old film reels, revealing a relationship marked by passion, crisis, and the luminous intermittences that give meaning to their lives. Written and first published in 1999, *La Vida Intermitente* has been widely cited as one of the most distinctive Spanish novels associated with Generation X. Blending the architecture of a film script with the intimacy of an interview and the freedom of a road‑movie in prose, Ruth Baza creates a hybrid “docu‑book” that explores the aesthetics of alternative rock, art‑house cinema, and the raw, unfiltered territories of countercultural life.