This scholarly work examines the role and function of allusion in French poetry. Written by Lajarrige and Moncelet, the book provides critical analysis of how poets have employed allusive techniques throughout literary history, exploring the theoretical foundations and practical applications of intertextual references in poetic composition. The study draws on examples from various periods to demonstrate how allusion serves as a fundamental mechanism for creating meaning, establishing literary lineage, and enriching textual interpretation. This volume represents a significant contribution to the fields of literary criticism and poetry studies, offering insights into the complex relationships between texts and their cultural contexts.