"Indian sculpture occupies a unique place in world art. While much of it is sacred in purpose, embodying religious beliefs and philosophical ideals, it is at the same time deeply sensual, celebrating the human body in all its astonishing variety. The human form has been used in Indian art to portray the different gods and goddesses of Hinduism, as well as the saviours and saints of Buddhism and Jainism. The fusion of earthly and transcendental realms is conveyed by transformations, poses and gestures whose symbolism is understood by every adherent of these great religion." "Human and Divine highlights the achievements of a dynamic artistic tradition, and explains why Indian sculpture looks as it does and what it means. The sculptures, in stone, bronze, terracotta, marble, ivory and wood, are drawn from British public and private collections and date from ancient times to the early twentieth century." "In his essay, the artist and writer Balraj Khanna outlines the early history of Indian sculpture and places it in its cultural and religious context. the writer and archaeologist George Michell describes various forms and styles that have developed in the different regions of India, and explains the significance of specific works."--BOOK JACKET.