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Painterly perspective and piety

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Painterly perspective and piety
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John F. MoffittFirst published 20081 editions

"The Renaissance is perceived to be a secular movement, the majority of artworks were from ecclesiastical commissions. Because of the nature of basilica-plan churches, a parishioner's view was directed by diminishing parallel lines formed by walls of the structure. Appearing to converge upon a mutual point, this resulted in an artistic phenomenon known as the vanishing point"--Provided by publisher.

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First publish date 20081 credited authorSearch language english

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  • John F. Moffitt

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