Pierrick Sorin presents a compact, illustrated volume that surveys his practice in video art and the accompanying catalogues that document his exhibitions. The book combines critical essays with high‑quality stills from his installations, offering insight into the conceptual frameworks that drive his work. Readers gain an overview of Sorin’s evolution as a multimedia artist, with contextual notes that situate his pieces within contemporary French art movements. Though concise at just over a hundred pages, the volume serves both as an introduction for newcomers and a handy reference for scholars interested in the intersection of video, performance, and curatorial practice.