Since the 1960s, Graham's heterogeneous practice has touched on such disparate subjects as tract houseing, the Shakers, punk music, and architectural theory; he has made videos, architectural models, closed-circuit installations, and glass pavilions. He situated his work on the borders between earth art, minimalism, and conceptualism. Although varing widely in subject and medium, his artwork and writings display a consistent interest in spectatorship, public-private relationshipsh, and the constructed environment. This volum gathers key texts by critics and theorists that offer alternative accounts of Graham's art.--Back cover.