Claire Dumortier’s *Céramique de la Renaissance à Anvers – de Venise à Delft* offers a richly illustrated survey of Northern European ceramic production during the Renaissance. Drawing on museum collections and archival sources, the book traces the flow of styles and techniques from the Italian majolica workshops of Venice to the flourishing faience factories of Antwerp and Delft. Detailed photographs accompany discussions of material composition, decorative motifs, and the commercial networks that linked these centers. The study situates the ceramics within broader artistic and economic contexts, highlighting how regional tastes and trade routes shaped the evolution of pottery in the Low Countries. Readers gain insight into the cultural exchange that defined Renaissance decorative arts and the lasting legacy of these early European ceramics.