The exhibition reviews the individual experiences of Chilean artists since the mid-19th century, who changed their destiny to perfect themselves, meet new places and people, to move away for political reasons, or to create new artistic strategies. "In the 19th century and late 20h century, travel in art meant that culture had its center in Europe and that every artist from these latitudes had to meet the requirement of training according to the dominant model. During the 1860s the state scholarship competitions for artistic training were implemented, mainly to Paris, generating a flow, not always regular, of transfers and appropriations that can be seen in this exhibition. Today, the world has become globalized, distances have been neutralized with technological means, digital images of art are available from any point and the center-periphery logic no longer prefigures in the same way in the movements of art." (HKB Translation) Page 12. Catalogue also includes texts on selected artworks by 12 specialists such as: Solène Bergot, Josefina de la Maza, Rosita Droguet, María José Escudero, , Patricia Herrera, Valentina Lazo, Juan Manuel Martínez and Marisol Richter.