*Céramique de la Renaissance à Anvers* examines the production, circulation, and artistic significance of Renaissance ceramics in Antwerp, with particular attention to faience and majolica. Drawing on objects, archival evidence, and comparative examples, the study situates local potters within wider European ceramic traditions and considers how imported styles and local techniques shaped manufacture in a major commercial city. The book addresses forms, glazes, decoration, marks, and workshop practices to show how Antwerp participated in the material culture of the sixteenth century. Intended for readers interested in art history, craft history, and collecting, the volume offers a focused account of Belgian majolica and related Renaissance pottery, making it a useful reference for scholars, museum professionals, collectors, and anyone studying the visual and technological exchange of early modern Europe.