"How can you make money from a painting that you don't own, can't steal, and couldn't fence even if you succeeded? What if you convince people you already had stolen it? An assortment of shady and brutal players in Collar Robber think that--leaving a corpse or two along the way--they can use that bright idea to gouge fifty-million dollars from Jay Davidovich's employer ... As Davidovich and Jakubek face brawls on street corners and in court rooms, confrontations in brothels, confessionals, and Yankee Stadium luxury suites, and Tasers, machine guns, and religious vestments used as weapons, they have to remember that "take no prisoners" isn't always a metaphor"--Jacket.