Captive Audience
Prison and Captivity in Contemporary Theatre (Studies in Moderndrama, 19)
The first collection on this important topic, Captive Audience examines the social, gendered, ethnic, and cultural problems of incarceration as explored in contemporary theatre. Beginning with an essay by Harold Pinter, the original contributions discuss work including Harold Pinter's screenplays for The Handmaid's Tale and The Trial, Theatrical Prison Projects and Marat/Sade.
Overview
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Contributors
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- Open Author
Kimball King
- Open Author
Thomas Fahy
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- Image source: Open LibraryCA
Captive Audience
- Image source: Open LibraryCA
Captive Audience
- CACaptive AudienceThomas Fahy, Kimball King
Captive Audience
- CACaptive AudienceThomas Fahy, Kimball King
Captive Audience
- CACaptive AudienceThomas Fahy, Kimball King
Captive Audience
- CACaptive AudienceThomas Fahy, Kimball King
Captive Audience
- CACaptive AudienceThomas Fahy, Kimball King
Captive Audience
- CACaptive AudienceThomas Fahy, Kimball King
Captive Audience
- CACaptive AudienceThomas Fahy, Kimball King
Captive Audience