Obsession and Culture proposes that male sexual obsessions are the driving force of culture and are most clearly seen in fiction. Examples could be multiplied many times, but the main objectives of this study are to show how the work of five male authors coheres within a framework of psychodynamic theory and to stimulate enquiry along these lines. Many twentieth-century novelists speak for a male psycho-class needing imaginative externalization of obsessive sexual fantasies of control of women. Attraction, avoidance, and guilt are powerful motivators for writers and readers alike, and the moral ambiguity of serial monogamy, as well as other forms of exploitative sexuality, prompt certain writers to construct symbolic expiation and repair in fiction. Psychobiography is combined with fantasy analysis to suggest the pervasiveness in modern fiction of the wish to conquer and to control women and to atone for the guilt.