Francesca Woodman
Work detail
"This monograph on Francesca Woodman (1958–1981), the most comprehensive to date, charts new approaches to her oeuvre. Whereas the evanescence of the female figure in the artist’s photographs has often been read as an aesthetic anticipation of her suicide, the essays by publishers Gabriele Schor and Elisabeth Bronfen as well as those from Johannes Binotto, Abigail Solomon-Godeau and Beate Söntgen illustrate Woodman's passionate self-staging in the tradition of the tableau vivant. Her poetic and metaphorical use of props (mirrors, gloves, rugs etc.) and her staging in a room, where the laws of geometry seem to no longer apply, are examined in the essays. The 80 photographs in the SAMMLUNG VERBUND collection can be seen for the first time in their original size."--Publisher description.
Overview
Shared work-level identity and catalog context.
Contributors
People credited with this work in the active catalog.
- Open Author
Elisabeth Bronfen
- Open Author
Betsy Berne
- Open Author
Francesca Woodman
- Open Author
Martin Fox
- Open Author
Harm Lux
- Open Author
Kathryn Hizson
- Open Author
Philip Ursprung
- Open Author
Gabriele Schor
- Open Author
Brooke Holmes
- Open Author
Gagosian Gallery Staff
- Open Author
Hans J. Rindisbacher
Editions
Publication-specific versions linked to this work only.
- Image source: Open LibraryFW
Francesca Woodman.
- Image source: Open LibraryFW
Francesca Woodman
- Image source: Open LibraryFW
Francesca Woodman
- FWFrancesca WoodmanBrooke Holmes, Martin Fox, Francesca Woodman, Gagosian Gallery Staff
Francesca Woodman
- FWFrancesca WoodmanFrancesca Woodman, Elisabeth Bronfen, Gabriele Schor, Betsy Berne
Francesca Woodman
- FWFrancesca WoodmanFrancesca Woodman
Francesca Woodman
- FWFrancesca WoodmanFrancesca Woodman, Harm Lux, Philip Ursprung, Hans J. Rindisbacher
Francesca Woodman
- FWFrancesca WoodmanFrancesca Woodman
Francesca Woodman
- FWFrancesca WoodmanFrancesca Woodman
Francesca Woodman