Morvern Callar, a low-paid employee in the local supermarket of a desolate and beautiful port town in the west of Scotland, wakes one morning in late December to find that her boyfriend has committed suicide and is lying dead on the kitchen floor. Morvern's reaction is both intriguing and immoral, and what she does next is appalling. Moving across a blurred European landscape - from the rural poverty and drunken mayhem of the Scottish port to the Mediterranean rave scene - we experience everything from Morvern's stark, unflinching perspective. She rarely goes anywhere without the Walkman left behind as a Christmas present by her dead boyfriend, and as she narrates this strange story, she takes care to tell the reader exactly what music she is listening to, creating the stunning effect of a soundtrack running behind her voice throughout the novel. Alan Warner probes the vast internal emptiness of a generation by using the cool, haunting voice of a female narrator lost in the profound anomie of the rave scene. Hers is a chilling, hardcore perspective, entirely different from the cliched whiny angst of Generation X.