This academic work explores the intersection of cinema and utopian thought through a bilingual examination of film theory. The title suggests an analysis of how cinematic works envision ideal societies or alternative futures, combining Spanish and French perspectives on the relationship between film and utopian imagination. Published by the University Press of Toulouse, this 171-page volume contributes to scholarly discourse on film studies and cultural theory, examining how cinema serves as a medium for exploring utopian possibilities and social critique.