POPULAR MUSIC IN FRANCE FROM CHANSON TO TECHNO: CULTURE, IDENTITY AND SOCIETY; ED. BY HUGH DAUNCEY

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Hugh DaunceySteve Cannon2 editions

Why do musicians and music analysts deny that music is irreducibly social, or at least behave as if it isn't? The answer is itself socially specific. These writings examine the interaction between French popular music and French society, identity and culture.

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Hugh Dauncey
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Steve Cannon
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