Le plan, au commencement du cinéma by Emmanuel Siety explores the foundational role of the 'shot' (plan) in the early development of cinema. Published as part of the 'Les petits Cahiers' series by Cahiers du Cinéma Livres, this concise 94-page volume examines how the concept of the individual shot evolved during the formative years of film, analyzing its aesthetic, technical, and narrative implications. Drawing on historical context and close readings of early cinematic works, Siety investigates how filmmakers and theorists grappled with the basic unit of film language before the widespread adoption of editing conventions. The book offers a focused study on a pivotal moment in film history, making it a valuable resource for students and scholars interested in the origins of cinematic grammar and visual storytelling.