Monography dedicated to abstract artist Claudia Hidalgo, who follows Eugenio Dittborn's school of art in which she was formed. The edition comprising a large part of her artistic career, her technical experiments with synthetic materials, the problem of the relationship figure-background and the use of large format supports. "For her paintings, Claudia Hidalgo (CH) used Polyvinyl Carbonate, an industrial printing ink. Shiny, thick, flexible, heavy, viscous, semi-transparent, toxic, water-proof and fast drying, is temperature-resistant and stretchy."--Page [30].