Curatorship is political writing. A writing that proposes stories, dialogues, itineraries; that defends positions, policies, and that intervenes in the rewriting of the always open history of the arts. The book is the documental outcome of an extensive professional career and a regional collective action that, from its beginnings, was concerned with the territorial dimension of Latin American and Argentine plastic arts. Abundant quotations and analysis of concrete cases exemplifies the practical and political perspective presented.