"This study investigates the overlaps between political discourse and literary and cinematic fiction, arguing that both are informed by, and contribute to, the cultural imaginary of terrorism. It explores the ways in which clandestine political violence stimulates the collective imagination, a fact that has received little attention despite its cultural prominence. Whenever mass-mediated acts of terrorism occur, they tend to trigger a proliferation of threat scenarios not only in the realm of literature and film, but also in the statements of policymakers, security experts, and journalists. In the process, the discursive boundary between the factual and the hypothetical can become difficult to discern. To illuminate this phenomenon, this book proposes that terror is a halfway house between the real and the imaginary. For what characterizes terrorism is less the single act of violence than it is the fact that this act is perceived to be the beginning, or part, of a potential series, and that further acts are expected to occur"--